Every once in a while, life grants me a transcendent moment. Often, this happens when I am out of doors, gaping at the sea, the mountains, a redwood forest; snorkeling above coral reefs, standing in the wind on the deck of a ship, or staring down at the world from 35,000 feet. These moments are gifts, glimpses of the Mystery, those thin places between earth and heaven, a place/person/? which I choose to believe is much nearer to us than we can imagine, close enough to touch.
And once in a while, we do.
Music is often an entryway to heaven for me. Especially choral music. I’ve written before about my lifelong love for choral singing — listening to it, but mostly, singing it. Standing with a larger group of singers, making Beauty together is a privilege and a joy; I do not take it for granted.
Here is an example of a small piece of music that was instrumental in my own deeper awakening to the Spirit about twenty years ago. It is an audio recording of a piece that hit me right between the eyes when first I heard it up in the tower office that was mine when I worked on staff in our home church. I have listened to it hundreds of times and always, always it moves me to tears and wonder. I had the privilege of singing it (though we did not sing it very well, I fear) in the choir I joined last year. This is one piece of nine that are part of a spectacular requiem mass written by Maurice Durufle, a French composer from the early-to-mid 20th century. There are frequently changing time signatures and many different keys throughout the entire mass, but this piece is one of the simpler ones, as written. But it is the most difficult to sing exactly right. Robert Shaw and his famous Chorale got it exactly right. Close your eyes and let this music wash over you.
“Sanctus” – by Maurice Durufle, using the text of the requiem Mass:
Do you see what I mean? Or perhaps this particular piece doesn’t lead you across the threshold in the same way it did me. I’m willing to bet however, that somewhere in your life there is one piece — or perhaps several — that help you to do just that.
Last week, our choir met again to prepare for our spring concert. We are doing a variety of anthems and folk songs, about five of which we’ve looked at so far. Of those five, two of them, TWO OF THEM, opened that door to the Holy in me as we sight-read them. The act of sight-reading is exhilarating, all by itself. It is one of my favorite things to do in the world: to take a stack of unseen music and work through it for the first time. So fun.
But these two? Oh, glory! The words simply stopped me. STOPPED me. And the close harmonies and moving choral parts? Well . . . that was three days ago and I am still awash with gratitude and glory. This first one pretty well sums up what I believe and have experienced with music . . . sing me to heaven, indeed.
“Sing Me to Heaven,” words by Jane Griner, music by Daniel E. Gawthrop
In my heart’s sequestered chambers lie truths stripped of poets’ gloss
Words alone are vain and vacant, and my heart is mute
In response to aching silence, memory summons half-heard voices
And my soul finds primal eloquence, and wraps me in song
If you would comfort me, sing me a lullaby
If you would win my heart, sing me a love song
If you would mourn me and bring me to God,
sing me a requiem, sing me to Heaven
Touch in me all love and passion, pain and pleasure
Touch in me grief and comfort, love and passion, pain and pleasure
Sing me a lullaby, a love song, a requiem
Love me, comfort me, bring me to God
Sing me a love song, sing me to Heaven
And number two? Yes, yes. This is the cry of my heart for me and for all those I know and love who are struggling to see God in the midst of their pain, to believe in the midst of crushing doubt, to take a step into the unknown when it feels dark and murky and above all, lonely.
I invite you to take steps into the holy, my friends. To look for thresholds in your day-to-day living, to ask for eyes to see and ears to hear. May you find small moments when loneliness recedes and hope rises, rises, rises.
“Even When He Is Silent” – music by Kim Andre ArnesenThe text for the piece was found in a concentration camp after World War 2:The key signature encourages director and singer to set the metronome for 54 per quarter note and adds these remarkable words, ‘with hope.’ Indeed, indeed.I believe in the sun, even when it’s not shining.I believe in love, even when I feel it not.I believe in God, even when He is silent.