The Seven Sorrows

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I snuck in through the back gate, carefully closing it so that the family of deer grazing nearby could not enter the enclosed garden. Miraculous rain had fallen during the night and the air was crisp and cool, with a slight breeze from the west. The small labyrinth on the grounds of Mater Dolorosa Retreat Center was my first target that morning — I love to walk and pray, and if there is a dedicated pathway for such walking and praying, I head straight toward it. These deer were just to the east as I slowly wound my way to the center of that stone-marked pathway and back out again. They were lovely – young, strong, alert.

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The garden site took me to an entirely different place, one of tears and remembering, of death and dying, though there was beauty to be seen on all sides. The wisteria arbor pictured above was the first thing I saw as I clanged the gate behind me. Stretching out on both sides to form a circle, the entire 15-feet wide pathway fully enclosed a special, set-aside space: The Garden of the Seven Sorrows. This is a space marked for contemplation on the sorrows that Mary carried throughout her life as a mother, an idea new to me, and a surprisingly welcome one.

We Protestants don’t often think about Mary, do we? We tend to forget the depth of her spiritual maturity, her shocking availability to God. Would you be so open? Would I?

There are six niches around the circle, each with an exquisite and colorful mosaic depicting the sorrows that are mentioned in the gospel narrative. There are benches, a variety of both green and blooming plants, a fountain in the center, and a striking bronze statue duet, life-sized and haunting in its detailed depiction of mother and son locking eyes as Jesus drops the cross on his way to Calvary. That statue represents the seventh sorrow, and I saw it first from the back.

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I walked around, under the arbor, to begin my pilgrimage at the beginning, stepping into each niche in turn and then returning to the center magnificence to further contemplate that bronze tableau, this time from the front and from the side. I invite you to come along with me as I walk, enjoying a more distant view and then a closeup of each sorrow in turn. Take a moment to savor the detail, to reflect on the moment captured by the artwork. See what rises in you.

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It began in the earliest days of her motherhood experience, didn’t it? Taking her new little boy to the temple for blessing and dedication, Simeon had a hard word for her
“. . . and a sword will pierce your own soul, too.”

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Joseph holds the infant Jesus and the heart of Mary beats almost out of her chest at Simeon’s heavy words. Eight days old and her heart is filled with foreboding.

The Second Sorrow focuses on the flight into Egypt. With a toddler in tow, Mary and her husband were forced to flee their homeland, not knowing exactly when they might return. This is, to me, a poignant picture of the plight of so many refugees in our world today — forced out, running away to a foreign place, uncertain about the future, wanting protection and safety for their family.

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Sorrow Three comes twelve years later, when Jesus remains in the temple, worrying his parents by his absence, and then by his response: “Didn’t you know, Mother? Didn’t you know where I would be?” 

Do we know where our children are? Can we?

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img_0634The artist has managed to capture Mary’s pain and confusion, using just small pieces of colored ceramic. Jesus is rapt, his hand raised and open. Always, his hands were open.

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And this is Sorrow Four — the only one not specifically recorded in scripture, but one that surely could have happened — Mary meeting her son on the road. I do not know who the artists were, for either the mosaics or the sculpture, but I am grateful for them and to them. This is one of the most moving sights I’ve ever experienced. Contemplate the detail on their faces with me, won’t you?

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Deep grief marks a person in every way — physically, emotionally, spiritually. Her tears elicit my own.

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And Jesus turns to look at his mother, his mama. How difficult this entire event must have been for both of them. The gospel writers give us tiny glimpses; artists take those glimpses and give us wider, deeper vistas.

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I think he must have been a strong man — I like the musculature outlined here. But he was also a very weary man at this point in the journey, a heartbroken man. And all of that shows in that face. All of it.

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Though I do not subscribe to the Catholic doctrines about Mary, I completely understand how they developed. The mother-son bond is a strange and wondrous one, and like it or not, we moms are of primary importance to and a strong influence on our children, daughters and sons alike. While I believe the Catholic church has overplayed the importance of that bond, I fear we Protestants have seriously underplayed it. 

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And here is the one we are probably most familiar with — Sorrow Five — Mary watching her beloved son die on that tree. The apostle John appears to the right, turned away from the sight; Mary looks, but weeps. What must that have been like?

img_0642The Sixth Sorrow is the one made famous by Pietas across the ages — Mary holding her son as he is taken down from the cross. “Has there been any sorrow like unto my sorrow?”

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The final sorrow comes at the gravesite. The women are all there and it is hard to know which one is Mary. Who do you think it is?

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The rose bush effectively hid all of their faces, but I snuck my camera around the blooms and thorns and got each of them:

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As I walked this beautiful, yet somewhat strange new circle, I found myself saying, ‘thank you,’ over and over again. Thank you to the Son, yes, of course. Of course. But also — thank you to the mother, the dear mother, the one who said ‘yes’ to the mystery, who opened herself to unspeakable pain, who loved her child with her whole heart. She was not perfect, but she was deeply good and I am grateful.

As I turned to leave this glorious space, I noticed a flash of color just off to my right. Two colors, to be exact — two colors of the church year, in point of fact: red (this one was pinkish) and purple — red for sorrow and purple for royalty. Seemed fitting, somehow. Perfectly fitting.

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We will return to this same retreat center in 18 months. You can be sure that the Garden of the Seven Sorrows will be a part of my own meditative experience in 2018. It will be springtime then. How lovely!

Battle Fatigue

IMG_0459You know, it’s just lunch. Simple, right? I get in the car, I drive over to Mom’s care facility, I punch in the magic code to open the door, I gather her up, confused and beautiful as she is, I open the door so we can both go out into the sunshine.

She says, “Do you really want to bring this old thing?” pointing to her walker.

Every time, she asks me this question.

EVERY TIME.

“Yes, Mom. You can’t really walk well without it and it fits right into the back of my car.”

I settle her into the front seat, lock the seat belt around her, nudge her gently to move her feet completely inside the car. I load the walker in the back and come around to the driver’s door, belt myself in and begin to drive out of the residence area.

“What a good driver you are. What a nice car this is — so smooth!”

“Thank  you, Mom.”

I hear these two sentences EVERY SINGLE TIME WE GO OUT, which is every 3 to 4 days. But 3 to 4 days is an eternity to someone whose brain is full of holes. 3 to 4 minutes is an eternity. Somedays, 3 to 4 seconds.

“Now tell me your name again and why you came over to get me today?”

And we’re off. The litany begins.

Again.

And again.

“Do you have children?”
“Do you live nearby?”
“What do you do?”

“Where are we going?”
“Why are you being kind to me?”
“Now tell me your name, please.”
“Do you know my family?”

Round and round we go, the same set of questions, the same set of answers.

Today we went to a place we have not visited often. She is, however, convinced that she has been here, “many years ago.” Often, this is at least partially true. Not today. We’ve been here exactly twice in the last 3 3/4 years.

The sun is warm, but the restaurant, located directly on the sands of Ledbetter Beach, acts as a wind tunnel for the ocean breeze. She is immediately shivering, despite being fully covered with two layers of clothing.

So I return to the car, get my wool shawl and my wide-brimmed black hat with the droop-down brim and wrap her up as much as I can. She continues to hold down the brim of the hat or to place her hand over her ear during the entire meal, despite the fact that she is no longer in direct contact with any kind of air movement whatsoever. Once cold, always cold, I guess.

I order her a diet Coke and get a glass of water for myself. We sip quietly as we wait for our lunches to be delivered — a kid’s sized grilled cheese with fries for her, a salad with grilled salmon for me. 

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“Here, don’t you want some of this?” she asks.

And she asks.

And she asks.

AND SHE ASKS.

“No, Mom, ” I tell her each time. “That is your drink. See, I have one of my own. I don’t need yours.”

When lunch arrives, she relishes each bite. But begins immediately with the same, recurring question/statement: “Oh  my, this is delicious! I am so happy, so happy, so happy! Here, take some of this. It is really good.”

She seems to be unable to see that I am already eating from a very full plate. I tell her exactly that, every single time she invites me to eat her lunch. “No, thank you, Mom. I have my own lunch. I don’t need to eat yours. Please enjoy your meal and stop worrying about me — I am doing just fine.”

“Well,” she says timidly, “I surely do not want to ever seem to be selfish.”

“You are not being selfish, Mom. You’re enjoying your lunch, which is yours, all  yours. Please enjoy it!”

After I finish my salad — which I always do, LONG before she is halfway through her own plate — I begin to take a French fry or two from her plate. And she is ecstatic!

“Oh, here! Have some more!”

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I cannot even begin to put into words how deeply enervating I find these outings. I love that she loves to go. I love that she finds happiness in simple things. I love her. But being with her is the most exhausting thing I do these days.  

And there is no end in sight.

I heard a bit of a cough today and, God help me, I found myself wondering if this might possibly progress into something serious, something that might help her transition to that place where she will once again be able to think and remember. 

That is not likely. She is 95 years old, can’t see, can’t hear, can’t remember, can walk short distances only. But otherwise, her health is excellent. Her mother lived to be 101. Her mother’s sister to 102. So chances are, she’ll be with us physically long past the time when what remains of her mind has completely left the building.

I give thanks daily for her life. I see the beauty shining out of her face, the unceasingly cheerful spirit that is indomitable and gracious. I enjoy her occasional attempts at humor and the increasingly rare flashes of that mom-that-used-to-be insight and self-deprecating trash talk. (Today for example: “I imagine those children I hear are looking over here and wondering what strange sort of woman is sitting there under that hat!”)

But I am tired. I am tired of continually telling myself to keep my ever-present impatience at bay, to respond with kindness to the 20th version of the same comment/question, to smile, to hug, to touch, to encourage. I do it, yes, I do it. But sometimes it feels forced, even phony, and I don’t like that part. No, I don’t like it at all.

So I am weary at times. Today is one of those times. I returned her to her room a bit earlier than usual, settled her into that recliner chair in the corner, the one by the window that looks out onto the patio with bright red geraniums. I kiss her and tell her I love her and that I’ll see her next week. I find someone on the care team to tell them she is back in her room.

And I exit the building as fast as these aging legs of mine will carry me, willing myself not to cry out, “How long, O Lord!! How long?”


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My Hair, Myself — SheLoves, August 2016

A fascinating theme this month — the single word, ‘hair.’ Well. What came to me, as I was traveling nearly 2500 miles on an epic road trip last month, was this bit of stuff about my grandmothers and me. I’d love to hear your thoughts/responses to that topic! Come on over and join the conversation!

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My paternal grandmother, Pearl Scott Smith Gold, at about age 80 (1960ish)

My Gran had long, thin, gray-and-white hair which she wore wound in a bun on the back of her head. It was a style reminiscent of the 1880’s or 90’s, and somehow suited her. For several years after my grandfather died, she would stay with us for two to three weeks at a time and shared my bedroom when she did. Every night of her stay, I would watch, fascinated, as she wound up chunks of that long, thin stuff around leather strips, which served as wave-setters while she slept. Then, in the morning, she would expertly comb and position every strand into a perfect loop, holding it in place with long hairpins.

My own hair at that stage of my life was the bane of my existence. It was almost as white as it is now, as my brother and I were complete towheads until we hit puberty, and it was thin and very, very straight. My mom thought it would be nice to have a curly-haired daughter, so she would periodically put me through the process of a permanent wave, which I considered to be nothing less than torture. The irony was, it never worked. Never. I would end up with frizz on half my head and stick straight hair on the other half.

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My brother Tom and I at about ages 3 and 5 – 1950ish — see?
Stick straight around the bottom, weird curls on top. Oy vey.

I think about us now, my elderly grandmother and my young self, and realize that what we think about, do with and understand about our hair say a lot about who we are and where we’ve come from. I come, on one side of my family, from that tall, thin, southern schoolmarm who married later than most and carried a lot of racial prejudice deep in her bones. On the other side, there was Nonnie, who was almost as wide as she was short (4’11”), lived with serious heart disease for half of her life (which extended 101 years despite that handicap), and began her own, very successful, business in her late 50s. She was an immigrant from Canada, and a very strong woman, though she hesitated to let that strength show, preferring to work underground in ways that were sometimes detrimental to the health of her family. While I knew her, Nonnie’s hair was short and curly.

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My maternal grandmother, Elsie Thompson Hobson, about 1980. She would have been 84 that year.

At this stage of my life, as I am staring at the last leg of my own journey on this planet, I remember with love and gratitude the contributions of those two women to the richness of my story. Gran would be shocked to discover that I served as a pastor in mid-life. I choose to believe that, after some thought and prayer, she would have been proud. She died when I was 18.

Nonnie, on the other hand, died the first year of my ministry life here in Santa Barbara. And as I commuted from the LA area for the first few months of that ministry, I would stop and visit her in the rest home which became her final stop. She grabbed my hand on one of those Thursday mornings and told me, through tears and with a fierce quality to her voice, that I was continuing the journey she never finished, a story I had never heard before that moment. She was headed to Winnipeg at the tender age of 19 to enter ministry training with the Salvation Army when she chose instead to marry the older, handsome man who had admired her singing on the street corners of Vancouver. That sweet moment of revelation provided one of the strongest benedictions of my life.

Each of my grandmothers survived difficult marriages, had their own particular set of strengths and weaknesses, carried within themselves deep intelligence (one educated, the other not) and pretty decent people skills. And Gran’s old fashioned hairdo and Nonnie’s more modern style said something about who they were.

I wonder, what does my own hair say about me?

Read the rest of this piece over at SheLoves today, won’t you?

Looking at the Whole Truth

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“Oh, Diana,” friends tell me, looking into my eyes with tenderness and concern. “You are so lucky to have your mom still with you!”

I offer a small smile, nod my head and reply, “Yes, I know that I am.”

And I do know that. I do. But there is also this other truth, ever-present and insistent. The hard, hard truth that the lovely old woman inhabiting my mother’s body is not at all the mother I have known for most of my life. She is beautiful to see, kind to everyone around her, breaks into old hymns multiple times an hour, and loves to visit the outside world.

But she is not my mother. At least, not in the ways that I wish she could be.

That woman, that mama, has been slip-sliding away for nearly a decade now, steadily losing pieces of herself. And as she drifts further and further from me, I feel as though there are large chunks of me fading into the ether right along with her. Huge chunks of my own history are gone forever, never to be found again. 

I miss my mother. I miss being known by her. I miss sharing history with her, I miss swapping stories, wrestling with hard truths, reading books, going to the movies, taking trips, making fudge, having her give me driving directions, watching her interact with my children and grandchildren, marveling at her insight into people and situations, laughing at her ribald jokes. 

She is here with me in physical form, and for that I give thanks. But she is not here in any of the ways that make her my mother. She is a beautiful, loving, sometimes forlorn, and very old woman. On July 6th, she will be 95, a fact that startles her every time I tell her. Last week, she turned to me and asked, “I wonder who I am?” 

I wonder who I am! 

Ah, Mom. I wonder, too.

 

As I stood under the shower’s spray this morning, I offered small prayers of thanksgiving:

     “Thank you, Lord, for hot water and plenty of it.”
     “Thank you, Lord, for my good husband and his careful attention to our finances.”
     “And thank you, Lord, for my sweet mama . . .”

And with those words, I found myself sobbing. Not gentle tears these, but hard-wrought, heart-felt, gut-wrenching sobs. “Where is this coming from?” I wondered. Most of the time, the tears are far away these days, leading me to believe that I have come to some place of peace and acceptance about the way things are. But today’s meltdown reminds me that below the surface, my own emotions about mom’s situation are deeply unsettled.

My only brother arrives today and I will be glad to see him and his wife. But we four aging children must have a difficult conversation this afternoon. We have a scheduled meeting with the finance guy at Mom’s care facility, that place where she is safe, well-cared for, loved. The cost of her care is climbing while her small investment account is diminishing, so we’re looking for answers today. How can we best manage her care? Will she be alright?

The better, and I hope bigger, part of me is not worried about this, trusting that there will be enough, that God will provide a way for this daughter, this faithful Jesus-follower, this disciple. But I found myself crying out to the God we both love this morning, asking how long? and, are you there? and, why? 

No answers appeared in the shampoo bubbles. Not one. Nothing but the strong sense that the invitation continues to be this one: trust meTrust that I see your mama, that I love her, that she is safe. Trust that your own love and care for her are enough, that you are doing the best you can, that she has not been abandoned. Trust that there will be enough.

Enough.

And so I will choose to do so. We four will be as careful, mindful and loving as we possibly can. And God will carry us through. 

In the meantime, I will call to mind that image I was given over four years ago now* — that image of my small mama, held safe within the immense sacred heart of Jesus Christ, the One who was present before the universe was breathed into existence, the One who sees each of us with eyes of love and concern, the One who is the only place of true safety any of us will ever experience.

I am trusting that that image will carry me through whatever lies ahead.

 

*I wrote a lengthy post with lots of photos about how that image was given to me here.

 

Full to the Brim . . .

Some days are like that. Just full, mostly of good stuff — gratitude, relief, satisfaction, contentment. Today was that kind of day for me. This helped:

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a 15-minute power walk on a wide beach this afternoon

The last few weeks? Not so much.

Two different days in the dentist’s chair, two overnight, quick turn-arounds to southern CA, one for a Grandparents’ Day, one for a memorial service for a friend of forty years. Unseasonably hot weather, with a rainstorm thrown in here and there, aching muscles from who knows what, a shorter fuse than usual, which I always find slightly disorienting. Who’s here right now, making me feisty and discontent?

It was Lunch with Mom Day again today, something I love more each time I do it. The change in my mom’s meds has wrought a near-miraculous change in her demeanor and happiness level. As I gazed at her sweet face across the table from me today, I found this glorious sense of fullness moving right up into my eyeballs and then spilling gently out onto my face. I am stunned at how much I love her, how grateful I am to see glimpses of the mama I once knew, to celebrate with her the change we both observe and take delight in. I have no clue how long this will last, but I am determined to inhale all of it for however long she’s here.

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she is savvy enough to recognize that my phone is also a camera these days!

On Saturday afternoon, we sat packed into the downstairs of our former church home, remembering with joy and gratitude the life of Roland Tabell, the Director of Worship in that place for almost 40 years. He planned his own service pretty much, and I thought some of it might be awkward and difficult. As it turned out, he knew better! About 250 of us sat and listened to a recording made about 35 years ago of a musical drama he had co-written and I helped to produce. And immediately, we were back there, rejoicing in the Lord’s gifts to us during those years. 

I think maybe that’s why our Scripture urges us so often to remember. It is good to tell our story, to celebrate it, not to wallow in it or regret it, but to re-connect with God’s work in the past as a means of re-discovering God at work in the present and anticipating its continuation into the future. We too often forget to do that, especially when we feel discouraged about the state of the world, or the state of our own souls.

People traveled from across the state and across the country to be there. Long threads were re-gathered into a lovely afternoon tapestry, one that will help sustain us, even as we return to our separate stories now.

I am grateful today. What about you?

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I include here the words I was asked to share at Roland’s service on Saturday. Some who read this blog knew him and could not be there with us. And I would like to put this ‘on record’ somewhere. He was a hugely important part of our story, Dick’s and mine, and we miss him already.

Remembering Roland
by Diana Trautwein (with help from Dick)
April 16, 2016 at Pasadena Covenant Church

It was the summer of 1963. I had just finished my first year at UCLA, where I met and began dating a guy named Dick Trautwein, and that summer, Dick was recruited by some friends to join their church softball team. That church was this church. As a player, Dick was required to attend one worship service per month, and we opted to come on Sunday evenings. We sat up there in the balcony, enjoying the breeze that wafted in from the then wide-open stained glass window, listening to Paul Larsen preach and watching as Roland Tabell led the congregation in worship from the piano.

Flash forward to 1975. We were now married, the parents of three little kids, aged 7, 5 and 3, living in Altadena, and looking for a neighborhood church after six years of commuting to my home church in Glendale. We chose to come here, at least partly because of that lovely summer experience twelve years earlier, and from the moment of our first Sunday morning worship service here, with Mel White preaching, the sanctuary filled with color and creativity and Roland Tabell still leading worship and also . . . directing a choir, a really good church choir — I knew immediately that I wanted to sing in that choir, I wanted to sing in Roland’s choir.

That was the beginning of a 21-year relationship with this community and a 40 plus year relationship with Roland and Betty. I would say that those two relationships — this community of people and the denomination from which they sprang and the Tabells — have been among the very best of God’s gifts to us over the course of our 50 year marriage.

I’d sung in choirs my whole life but this church choir was different from any of them, primarily because Roland was different from any choral director I’d ever seen. He was beyond gifted, never indulged in histrionics of any kind, was uniquely open to creative new ways of doing things, was always prodigiously arranging, researching, selecting anthems of power and beauty, helping us all to be the best possible singers we could be on two hours of practice per week.

He was soft-spoken, humble, nimble at the keyboard, thoughtfully reflective, always reading, asking questions, thinking things through from a different angle. I volunteered in his office two mornings per week for about a dozen years, helping to produce both of the musicals that he and Bryan Leech created together, gathering props, organizing costumes and music folders, even painting the choir room and hanging mini-blinds in those fall colors so popular in the 1970s and early 1980s. I have photos somewhere of Clara and Larry Spence helping me to hang those dang blinds!

During the early years of our friendship, Roland and Dick discovered a shared love for tennis, and played singles with each other weekly for twenty years. As couples, we traveled together to Hawaii, with Roland doing all the planning, finding great accommodations for not much money, even setting up side trips and must-see tourist experiences for us all. I remember stepping into one of those boats at the Cultural Center on Oahu and some other tourist recognizing him from a band they’d played in together years before –a Hawaiian band. Hawaiian band? Roland? When we all questioned him about it, he tossed it off, like he tossed off the years of music in the army, and the broad knowledge he had of all musical permutations from Gregorian chant through slack key guitar. He traveled easily through every musical genre (with the possible exception of hip-hop and rap), using it all to the glory of God and the enrichment of his chosen community of worshippers.

But here’s what I remember the most about this man, and here’s where his life intersected mine in ways that were profound and transformative. Roland saw gifts in people, and he called them out. He was the first person to ask me, in all seriousness, “Hey, have you ever considered being a pastor? You’ve really got the gifts for that.” That was in the late 70’s, after I had to fill in at the last minute for someone who became ill and ended up leading an entire worship service on the fly. It took about ten years for me to heed those words and to see in them God’s prophetic call on my own life. Time and again, he gave me opportunity to use my gifts — musically, administratively, devotionally. He pushed me and he pushed others into the front of things, always ready to step back, to stand in the shadows, providing encouragement, insightful critique, and even a little arm-twisting, from time to time.

He was such a gifted man. Even more remarkably, given the depth and breadth of those gifts, he was such a good man. His presence in this place was gift, from beginning to end. He was faithful and true, strong and steady, winsome, occasionally quirky, and always interesting. I thank God for his life, I thank God for the ways in which his life intersected my own, I thank God for Roland Tabell.

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The Joy of Poetry — a Book Review

I don’t ‘do’ poems. But I do do poetry. I have always loved it. Maybe because my first, early foray into public speaking involved reading one dramatically. Remember “Casey at the Bat?” Yeah, well, I recited it for a teacher’s luncheon when I was in grade school, coached by my mama. It was well received and quite fun, as I recall. So I kept reading poetry. Regularly.

I am not a particular fan of studying poems, to tell you the truth. Dissection is not my forte. But reading it is a favorite pastime — I have a couple of entire shelves in my personal library dedicated to poetry collections, some of them quite worn and threadbare.

So when I discovered my friend Megan Willome was working on a book about poetry, I was delighted and waited eagerly for that tome to fall into my greedy little hands. She does not disappoint, this Megan. No, she does not. At all.

“The Joy of Poetry: how to keep, save, & make your life with poems,” is exactly what the title says it is — a joy. She sprinkles all kinds of poems throughout this small book, among them some of her own, written in a time of grief and loss as her mother was dying of cancer. I read that entire cycle of poems on her blog before I ever met her and felt as if I had discovered a sister heretofore unknown to me. My own mom was beginning the long downhill slide into dementia and I resonated with every word of her beautiful collection. Every word.

Be advised that I know nothing about poetic forms, styles, line breaks or other specialized vocabulary. I simply know what I like, what ‘speaks’ to me, what makes me think/cry/laugh/wonder/reflect. Because I know so little about the formal grammar of the genre, I have never attempted to create what I always understood to be ‘poetry’ with my own hand and mind. However, as I read through Megan’s lovely reflections, as I marked lines and printed small asterisks and dogeared page corners, I began to think that maybe, just maybe, I’ve been going about this whole poetry thing the wrong way.

Megan’s book underlines the importance of integrating the poetic into everyday life, it encourages us to look for poetry in the mundane, in our favorite music, in the books we read, in our conversations, in our lived experience. And after I finished the book (which took me little time at all, even with all the ah-ha-ing and the underlining), I had a great big ah-ha moment of my own. Because of my own particular faith and professional journey, the poetry of my life — and the poetry that has come via my own mind and hand — looks like this: prayer. The prayers I love to read, the prayers I memorize, the prayers I write . . . are pretty much all poems. Who knew??

Although I know faith to be part of Megan’s own story, it does not make much of an appearance in this particular book. For me, that’s a small hole in the fabric of an otherwise gorgeous tapestry of love and delight. I loved reading about her ‘poetry buddy’ relationships with a couple of other friends of mine and appreciated the practical suggestions that serve as a kind of appendix to the end of this slim volume. Most of all, I loved Megan’s own words. Here are a few of my favorites:

on spying a small purple flower in an alleyway: “Between the trash can and the gas meter stood spring.”

“But taking poems in small doses, one a day, or even one a week, is like a soaker hose for the soul.”

While pondering her mom’s imminent death:
After she’s gone will I still orbit her earth?

     Will her tides still move my every wave?”

“How much more good poetry might be generated if we didn’t endlessly evaluate our efforts — if we wrote, and wrote and wrote and got through the bad, the sentimental, the therapeutic and made way for the occasional good poem?”

“Why write poetry? Because poets have perfect pitch.”

“Poetry has the power to transform the truth.”

“Poetry is my prescription for adversity. It can touch hidden places in ways prose can’t. When I am heartbroken and read a poem that seems to have been written from someone else’s dark place, I can sit among the broken eggshells and know I’m not alone. I don’t need to know how the eggshells got broken.”

So here’s the upshot for me: I loved reading this book. I loved learning a little bit more about her life, about how she thinks, about how she works. I loved the poems she selected and the topics she wrote about. Maybe most of all, I love that her thoughtful work has pushed me to think more poetically about about my life, about my relationship with my mom, about why poetry is so important to me. An added bonus is the impetus for new prayer writing/wrangling, which seems to be the way in which I can personally wrestle with the poet within. Maybe a small collection for each Sunday of the year? Yeah, that’s a poetry joy for me.

Thank you, Megan! And thank you, T.S. Poetry Press.

Here is a link to this lovely volume – it’s available in paperback and Kindle format.

Sisterhood — SheLoves for April, 2016

This piece was written several weeks ago, before the one that went live this week. Both are about this long, hard, sometimes beautiful, always exhausting journey with my mom. At the time this was written, she was just beginning to sing again, after many months of not doing any of it. You can finish this essay over at SheLoves.

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It’s a gray day today and I’m actually grateful for that. I love the sun. Love it. And we’ve had a winter full of it here in Santa Barbara. But somehow, the grayness is helpful today, soothing and calming, like a gentle hug.

I offer those kinds of hugs quite a lot these days, mostly because I need them myself. I think I’m lonely, to tell you the truth. It’s not overwhelming, it’s not even terribly sad, because overall, my life is rich and good. But there’s a part of me, deep inside, that is lonely.

I never had a sister. I raised two girls and a boy, and my mom had a sister, so I’ve seen real sisterhood up-close-and-personal, but I’ve never experienced it myself. I do know that for some, ‘sisterhood’ is more of a curse than a blessing, that sometimes personalities clash, or shared history is dark and dangerous, or jealousy inserts itself in an ugly and corrosive way. But the sisterhood I’ve watched in my own family? Well, it’s a lovely thing to see.

We lived near my mom’s sister for about eight years of my childhood — just three blocks away. We could walk to each other’s houses easily and often. My mom and my Aunt Eileen laughed with ease whenever they were together, sharing stories and jokes known only to them. I would watch them from a distance, feeling what I now know was a kind of nostalgia as I did so. A nostalgia for something I’ve never had and never will.

I wish I had a sister.

The content of this post surprised me. I sat down in a free two hour window to ponder the theme for this month over at SheLoves. . . and this strange piece is what came out. You can click right here to finish it over there.

And Then . . . There Is Light

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And it looks like music and laughter.

My mama’s neurologist has slowly been re-introducing her to Aricept since the new year. Initially, her caregivers and I were not at all sure about this. She was easily frightened, tearful and terribly, terribly confused for several weeks. At the same time, we also began to notice slight cognitive improvements here and there. So we hung in there, letting her hole-y brain slowly catch on to the new med.

I am so glad we did.

About two weeks ago, we began to see noticeable signs of improvement and my mom became a much happier and more restful person to be with, generally happy to be alive, delighted to see the sunshine, enjoying the taste of good food.

And she started to sing again. Praises be.
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When I arrived to pick her up for lunch today, she was seated in her chair in the corner, with sunlight streaming through the window behind her. On her lap was one of her small menagerie of stuffed animals, this one a teddy bear, and she was speak-singing something to him.

“Hi, Mom! How are you today? Watcha doing?” I sang to her from the doorway.

“Oh, I’m just telling my friend here about the cross, that old rugged cross.”

“Great idea,” said I, “no better thing to talk about.”

And she began to sing in her quavery alto a few lines from that old hymn.

As we drove south through the hazy sunlight, she sang it off and on, until I found one on YouTube and played it for her to sing along with on my iPhone. I sang in my own quavery alto (!!), and she was delighted.

The lines of that old hymn kept reoccurring to her throughout our lunch on the wharf, showing up whenever the space between us was not filled with conversation. It has always pleased and astonished me that so many old song lyrics are still in there, somehow conserved through all the jumbled mess of her synapses. I am so pleased to hear them again. So pleased.

Always when we meet, it is happening-for-the-first-time-all-over-again. Always, she is delighted to take an adventure outside. Always, she loves driving in the car. 

Always.

There is seldom any memory of our many previous visits to the same place, especially as we are on our way. “We come out here every few days, Mom,” I tell her with a smile. 

“Are you sure it was me you took?” she asks sincerely.

“Yeah, I’m sure,” I tell her. 

“Oh, well,” she says, “My brain is kinda weird, isn’t it?”

“Yup, Mama, it is. It is.”

Today there was a large cruise ship in port. This always means many, MANY more people in the waterfront area, and more people in all the local restaurants. The wait staff at our favorite place to sit and savor the view was hard-pressed to keep up with today’s onslaught. And while we were looking out the window, talking about how many children I have and how old they are (at least five times in the space of fifteen minutes), this sweet and funny thing happened:

The words to that old hymn came out of my mama’s mouth, though this time they were spoken rather than sung. That, in itself, is a small miracle, as the tune is usually required to spark that space in her diminishing memory bank. 

“So I’ll cling to that old rugged cross,” she said.

Pause.

“And exchange it some day for a crown.”

Pause.

“And sometime in between there, it would be really good if I could have a little something to eat!”

I tell you, I guffawed. And so did she. What a delightful moment that was. A brilliant flash of the mom I have known most of my life — quick witted, deadpan delivery, followed by riotous laughter.

That was much more satisfying to me than any single piece of the meal we enjoyed together today.

With the possible exception of a phenomenal scoop of vanilla ice cream which we shared, courtesy of the kitchen, in apology for the extended wait time today.

Now that, my friends, is a very good day. Very good, indeed.

Dearest Addie . . . (a letter, a book review and a synchroblog)

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Do you remember this lovely box, exploding with sunshine?

I surely do. It arrived on my doorstep in the earliest days of my recovery from nasty foot surgery, in mid-June, 2014. I’d injured myself and then discovered there was a whole lot more goin’ on in that dang foot than what I’d done to it. I was facing into a long recovery (much longer than we knew back then) and I was feeling L O W.

And then a lot of my internet friends did some remarkable things, and YOU were among the first. YOU sent me this box of yellow love. Every bright and lovely piece of this glory broke right through my sadness, my loneliness, my pain (both physical and emotional), and helped me to hang on during a long and difficult time in my life.

Now, sweetheart — look again at that date up there, okay? 2 0 1 4. Just a few short months after the journey you took with your boys, that long trek to Florida and back, the one you’ve written about so magnificently well in this new book of yours:

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I had no idea you had struggled so earlier in that year. But somehow, it seemed important, as I write this strange epistle/review/blog post, it seemed important for me to remind you of how good, kind, thoughtful, insightful, intuitive and gifted you are even when you’re in the middle of a long, dark season in your own spiritual journey.

BTW, that cover? One of the best depictions of what’s actually inside the book that I’ve about ever seen. Genius! Not all of this tender journal was easy to read. I hate that you do battle with depression, that you sometimes have such a low view of your own, wonderful self. So some of this was painful to read. 

But all of it was so good to read. Because what you come to, where you arrive, as you drive through the cold and the dark, as you deal with two pre-schoolers caged inside a small space for hours at a time, as you read your first book aloud in small town libraries and book stores and church basements, as you stay with friends and family, as you struggle to get those boys to sleep, as you eat at way too many MacDonald’s, and do a little bit (a very little bit) of sight-seeing — what you come to, in the end, is yourself. 

And that, my dear, is the point. The goal. The reward. In this second book, you continue to do the good work started in “When We Were on Fire,” the good work of jettisoning the crap gathered in way too many rah-rah, emotion-heavy, guilt-inducing, misguided youth events. And you begin to see the light. The LIGHT. The truth that the Jesus walk is not so much about ‘re-discovering’ the emotional highs of adolescence, but about the steady, day-by-day commitment to putting one foot in front of the other.

It’s about seeing the light in small things, like the sun shining on your son’s hair, or smelling the first real cup of coffee after too many cups of tea, (or, if you’re a tea-drinker like I am, savoring the spicy scent of chai after too many stale coffee-breath greetings from friends!). It’s about accepting the truth that ‘success’ and ‘failure’ are pretty much meaningless terms when we’re talking about real life. It’s about letting go of the lists — you know the lists! Those things we’re ‘supposed’ to do to be ‘good’ Christians, the things we’re supposed to feel, or even believe, in order to pass muster.

It’s about letting go of all of that, and leaning hard into the truth of grace. It’s about learning to trust that there is not one thing we can do or not do that will make God love us any less or any more than God already does. It’s about breathing in and breathing out and saying the name of Jesus when we do. It’s about seeing and being seen. It’s about really, really, living. Not ‘living it up,’ not living on an emotional high forever, not even ‘living for Jesus,’ whatever the heck that means.

It’s about living real. Because I’m here to tell  you, there is NOTHING more real than God, even when God seems absent, even when you’re driving in the dark of night, even when you’re struggling hard to re-create old experiences that simply are no longer possible or even desirable. You put it beautifully on page 225 (and a lot of other places, too, but this one’s the shortest:

“It’s not up to me to flip on the lights. the Light is already here.”

YES, Addie!! Yes, yes, yes. The Light is already here.

Thank you for writing this searingly honest book, for owning your own weaknesses, for showing us the shadow side. And here’s why I thank  you — because with  your exceptional writing grace, your skill, you illustrate this powerful truth: the shadow side is our teacher. Yes, there are parts of the shadow that we need to shine a bright, harsh light on, that we need to clean up and clear out. BUT . . . those shadow parts of us are also primary avenues through which God can show us more about grace, more about love, more about the human condition, more about truth than anywhere else. Like Barbara Brown Taylor (another one of my FAVES) in “Learning to Walk in the Dark,” you have shown us more about the light than any 1000 titles about sunshine-theology. 

So, I thank you. I thank you for the box of sunshine at a dark time in my own journey. And I thank you for this beautiful book. May you be blessed beyond measure by the way people respond to it.

Much, much love,

Diana

Oh! Before I go, I wanted to share with  you a couple of quotes that landed in my inbox today from a journal I subscribed to for many years, one that I used frequently in sermon prep and for devotional reading. It’s called “Weavings,” and if you don’t know it, I highly recommend it. These were in a monthly devo kinda thing, but each of them spoke to some of what “Night Driving” deals with, so I thought maybe you might enjoy them:

As people of faith, we need to remember that the resurrection tosses out all standard expectations and measurements of failure and success. Neither failure nor success is good or evil; both can result in growth, stagnation, or regression. In our struggle with failure and success, we may find a hidden strength as we commend our spirits to our Creator and seek to yield our lives to love. Our challenge is to have faith—in failure, in success, in whatever life brings. The unexpected turns, the painful endings, the precarious beginnings are all part of the path of faith, where we are reminded with each step that the resurrection did not happen only once long ago—it happens each day of our lives.  — Jean M. Blomquist, “Weavings”

Pure faith hears the full silence of God, and believes—for the absence of God touches one’s thirst more than the presence of everything else. “In the desert we go on serving the God whom we do not see, loving [the God] whom we do not feel, adoring [the God] whom we do not understand, and thanking [the God] who has taken from us everything but [God’s self]” (Charles Cummings,Spirituality and Desert Experience). In time, the search becomes the goal, the longing becomes sufficient unto itself, and the perseverance transforms the meaning of success. Then some quiet evening, perhaps by full moon, it becomes strangely self-evident that we would not be searching had we not already been found. And the desert blooms when we find ourselves willing to be last—not because the last may become first, but because the game of “firsts” and “lasts” is no longer of interest.” — W. Paul Turner, “Weavings.” 

A Love Story — for SheLoves

Theirs is a love story that not many remember these days. One of them has been gone from this plane for 10 years; the other has no memory of ever being married, despite their 63 years together. So it’s my story to tell now . . . you can start this sweet tale here and click over to SheLoves to continue it. It’s a good one for Valentine’s Day weekend, don’t you think?

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Celebrating 50 years on the island of Kauai in 1991

On paper, they were seriously mismatched. He, the brilliant, favored son of a well-educated southern family, she the hard-scrapple middle child of working class Canadians, each family migrating to the Los Angeles area before their kids were old enough to remember anyplace else.

Ben’s family was firmly ensconced in a downtown Methodist church, teaching Sunday school, singing in the choir, providing leadership in a multitude of ways. Ruth was a church orphan, whose parents dropped her at the front door each Sunday.

They came up through the youth group separately — he, four years ahead of her — but each knew of the other. She had a steady boyfriend by the time she was in high school and dated him for four years, most of their life together centered around that old brownstone church.

Ben was gifted musically and intellectually, but very reserved, even shy. Ruth was vivacious, smart, mischievous, funny and a natural leader. He stood on the sidelines of her life for a while, becoming increasingly smitten. After Ruth’s early relationship ended, they gravitated toward each other, each of them happy to discover the ways their differences were complementary.

The rest, as they say, is history. They ‘went together’ for several years, as he earned bachelor’s and master’s degrees from UCLA; she matriculated there, but dropped out when family funds evaporated. By then, they were committed to marriage, the US had entered WWII, and her folks saw no reason for her to get a degree. She regretted it the rest of her life.

He failed to pass the physical for the draft, so began to teach in San Diego at a small military academy. In 1941, they married in a friend’s garden, honeymooned in Laguna Beach, and settled into community life at the school.

Their love for one another grew deep and sturdy, but it was never particularly easy, especially during those early years. His family didn’t really approve of her — his mother took to her bed for a full week when they announced their engagement and wore black to their wedding. Each of their families of origin had their own unique dysfunctions and patterns and, as is true for all of us, the wounds of childhood were real and lasting.

He was the ‘show-kid,’ his skill at the piano and in the classroom regularly put on display by a pushy mother. She was the caretaker, intervening at a very young age when her dad came home drunk and became verbally and even physically abusive to everyone in the family.

He kept things in, she let them out, often in a big and dramatic way. Learning to communicate, to deal with anger issues, to build their own individual self-confidence — these were issues that didn’t go away.

Hop on over to SheLoves to finish this story and to share with all of us a love story that’s important in your own life.